The Italian company, Vismara Design has created a glamorous media wall system that accommodates the television, speakers, peripherals, and media. The media wall is designed for a variety of styles from Classic, Art Deco, Baroque and modern. Everything is decorated with a touch of luxury is different. Among these decorations you can find gold and silver leaf, the skin surface, the element made of Murano glass and so forth. Of course you will need to pay more for the glamorous furniture so that for one you can find in IKEA, Pottery Barn, and other major retailers.
Features tips on decorating living rooms, kitchens and bathrooms using photo galleries and video clips. Includes information about famous designers.
Germany, The ThyssenKrupp Quarter Architecture
ThyssenKrupp Quarter Architecture is an architectural building with “consistent”, which is independent and has been described in the invitation for the architect competition. Not the symbolic volume that reaches far into the sky – far more expectations focused on a broad and flexible structure of the same structure that can react to changes in the group process. In connection with these requirements, the design together by JSWD Architects and Chaix Morel et Associés & between 105 participants won in other competitions. Steps from the “ensemble consistent” with the idea of campus architecture design is only small, but strong.
The ThyssenKrupp Quarter consists of an arrangement of individual buildings embedded into a green carpet lined with trees. The buildings outline the central axis with the large water basin and are within short distances from each other. As a tribute to these higher-level characteristics of urban planning, JSWD Architects and Chaix & Morel place great importance on the architectural perfection of the individual buildings. The goal was to create a quarter with a compact and homogenous architectural appearance. The observer will remember this image of strong unity.
The overall design principle applied to all new buildings of the campus is referred to as “shell to core”. All buildings of the quarter are composed of L-shaped individual volumes that clasp around a shared centre. Thus, the architecture of the headquarters (Q1) as well as the Q2 forum and neighbouring administration buildings Q5 and Q7 clearly are centring. There are two types of façade: one is oriented towards the centre and the other defines the outside and thus the effect the buildings have on outside facilities.
These outer facades alter the image of the “rough shell”. On building Q1, the horizontal slats of the outside sunshield characterize the “rough shell”. In the forum, the outside sunshield also conveys the architectural idea. Here, bevel-edged perforated metal sheets made from stainless steel represent the universal design idea. On Q5 and Q7 the idea of a “rough shell” is characterized as a playful structure of horizontal and vertical stainless steel slats.
The facades of the atriums and inner courtyard found on a different design idea: Large-format, coloured flat sheets that conclude the façade. Both façade types have a unique charisma; however, their overall effect founds on the interaction of the shell and core. The consistent application of this principle to all buildings of the campus was key to the homogeneous overall impression of the new ThyssenKrupp Quarter that can be felt today.
The ThyssenKrupp Quarter consists of an arrangement of individual buildings embedded into a green carpet lined with trees. The buildings outline the central axis with the large water basin and are within short distances from each other. As a tribute to these higher-level characteristics of urban planning, JSWD Architects and Chaix & Morel place great importance on the architectural perfection of the individual buildings. The goal was to create a quarter with a compact and homogenous architectural appearance. The observer will remember this image of strong unity.
The overall design principle applied to all new buildings of the campus is referred to as “shell to core”. All buildings of the quarter are composed of L-shaped individual volumes that clasp around a shared centre. Thus, the architecture of the headquarters (Q1) as well as the Q2 forum and neighbouring administration buildings Q5 and Q7 clearly are centring. There are two types of façade: one is oriented towards the centre and the other defines the outside and thus the effect the buildings have on outside facilities.
These outer facades alter the image of the “rough shell”. On building Q1, the horizontal slats of the outside sunshield characterize the “rough shell”. In the forum, the outside sunshield also conveys the architectural idea. Here, bevel-edged perforated metal sheets made from stainless steel represent the universal design idea. On Q5 and Q7 the idea of a “rough shell” is characterized as a playful structure of horizontal and vertical stainless steel slats.
The facades of the atriums and inner courtyard found on a different design idea: Large-format, coloured flat sheets that conclude the façade. Both façade types have a unique charisma; however, their overall effect founds on the interaction of the shell and core. The consistent application of this principle to all buildings of the campus was key to the homogeneous overall impression of the new ThyssenKrupp Quarter that can be felt today.
Futuristic Conceptualized Architecture Buildings with Digital Technology
With the growing development of digital technology was very influential in the development of needs as the architecture to create a design. Here are some architectural design drawings are designed using today’s technology. This building represents a building that are implemented for a future. In 2008 there was a big competition organized by the CG Society. contest is to build a digital architecture building back in 2008, CG Society held a contest that invites digital artists from around the world to present their vision of the most imaginative and most magnificent futuristic them to a new world through architecture and landscape design. Modern Thought and digital technology can create such an exceptional design in surprise. The ideas of architecture and interior is made from the judge threw the chair. Each design and each outstanding architectural building an impressive and diverse with what we usually see every day.